Hard Skin

Hard Skin just came through the USA and reminded me why I fucking love Oi! music. One of their terrific singles can be found at the following link.

Make My Tea: http://www.punkvinyl.net/blog/Hard_Skin-Make_My_Tea-ep/01-make_my_tea.mp3

True Punk & Metal

http://truepunkmetal.blogspot.com/

This blog has been one of my absolute favorites over the past year or so. I think the guy who does it has a hand in Gloom Records, a great Albany label that has put out awesome bands like Last In Line, 9 Shocks Terror, Close Call, Cut the Shit and the Prowl. Anyways, he searches his amazing record collection, uploads a record, and reminisces about it. He pulls out a lot of gems and tells great stories about growing up as a metalhead in Albany in the 80's.

Example:
"I eventually bought this only because the band thanked bong hits & brew hahs, I was baffled that this came out on the label that it did, not typical at all. Listening to this totally brings back those memories of Luke picking me up Friday after work, and us hitting all four record stores in Albany. I typically might have spent about $80 a week on records back then."

Soo good!

The World

In junior high and high school, my buddy and I used to trade our CD's and tape them, making copies for ourselves and expanding each other's knowledge of punk rock. One Friday he brought in the U.S. Bombs' The World, which was released in 1999 on Hellcat Records. I was really excited because the few songs I had by them on compilations had always stuck out to me with their Clash sound. That weekend I stayed at my grandmother's house, and I remember listening to that CD over and over again on my discman, in my mother's old bedroom. I didn't see one of those 18 tracks as filler; I loved them all.

I was drawn in equally by the sound, which took from the punk rock that I loved, ('77 punk as opposed to the pop-punk that was rampant at the time), as by the skater, cut and paste political imagery. I loved that the political imagery wasn't all anti-US as most of my punk records were. Although there remained criticism of the US ("US bombs the world"), there was underlying American pride in the WWII imagery and songs like "Yanks & Rebs", where Duane sings, "I'm proud to be an American!"

The standout track for me was "Joe's Tune", which is credited in the liner notes as written by Strummer himself. I have yet to find out the real history behind that song. Was it written by Strummer for the Bombs? Or is it a cover of a Strummer song I've somehow never heard? Either way, The World remains one of my favorite punk records from the 90's, and thankfully it's still in print.

"Well the black man got the rhythm
And the white man got the law
And I know one thing I've been workin for."
-Joe's Tune

"That dunce in the corner says he wants to be a cop
Caught me smoking in the toilet stall
Said "I'll get you when I grow up."
-Billy Club

Nobody Laughs Anymore

When I was first getting into punk in the 8th grade I immediately found a small group of older and like-minded friends. Together we started a tradition where everyday we sat on a ledge outside of our high school listening to CD's through crappy computer speakers connected to an old disc man. Though we listened to a lot of classic bands such as Minor Threat, The Dead Kennedy's and the Ramones, we were lucky because at the time the New England punk scene was blowing up. All of the best bands around were available for us to see live on a monthly basis in Boston and suburban Massachusetts. This was right when the Dropkick Murphys gained Al Barr from the Bruisers and started making a name for themselves nationally, and the Mighty Mighty Bosstones had released their commercially successful Let's Face It. Underneath all that were unbelievable bands like The Showcase Showdown, :30 Over Tokyo, The Pinkerton Thugs, The Ducky Boys, and my favorites of all of them, The Trouble.

Along with a couple of compilation tracks and 7'''s, The Trouble only released one LP, Nobody Laughs Anymore on GMM Records, which was re-released by Bridge 9 in 2005. The sheer force and energy of NLA along with Gibby's excellent lyrics, hooked me right away and I often found myself listening to it over and over again. I've always loved how it's a simple punk rock record, but in it are strong traces of street punk and hardcore. The lyrics are reflective, violent, and often dark, and the cover of Joy Division's "Insight" as a secret track cements NLA as a moody classic.

It's no surprise that the singer went on to form Panic, a front runner of the 2002'ish lyrical hardcore scene along with American Nightmare and Carry On. I'm sure a lot of people who didn't know The Trouble got into them from AN's cover of "Dead & Gone" on The Sun Isn't Getting Any Brighter EP, and because of the B9 re-release of Nobody Laughs Anymore. Either way, it's a classic 90's punk record, which gets played in my room on a weekly basis, and deserves more recognition.

"All things lost, nothing gained
Every passing day intensifies my pain
I look towards tomorrow, yet cling to yesterday
Hoping sometime I'll find my way.

Each day a reminder of my mistakes
Each day a reminder of what it takes
Nothing to look forward to from what I can see
The old days ended too soon for me."
-Dead & Gone

One For The Underdogs (Here We Go!)

(Yes, that title was a Ducky Boys reference.)




One of my favorite Oi! bands of all time is Germany's Oxymoron. I don't hear many people talk about them but those who do, love this band. They came out of nowhere and released one of the best street punk records of all time with 1995's "Fuck the 90's, Here's Our Noize!" on GMM Records. (Sidenote: Whatever happened to both Atlanta's GMM Records and New Hampshire's Cyclone Records?; they put out some amazing 90's punk records. I used to mailorder from both of them on a regular basis. Cyclone actually put out the Dropkick Murphy's first EP: "Boys on the Docks EP".) But anyways, I put on "Fuck the 90's" yesterday afternoon while I was shoveling and I fell in love with it all over again. It's dangerous, violent, and passionate in such an unconventional way. I think that can be credited to both the production and Sucker's voice. Oxymoron also released a second full-length, "The Pack Is Back" in 1997, a split 7'' with the Dropkicks in 1998 called "Irish Stout vs. German Lager," and a terrific EP, "Westworld" in 1999. They also put out a record in 2001 called "Feed the Breed", but I never got that one. If you're a fan of bands like Cock Sparrer, Sham 69, 4 Skins, Condemned 84, or old Dropkicks, get any of these if you ever come across them. I'm pretty sure they're all out of print (the split 7'' has been out of print since '98) so you might be able to find some used. Amazon has a few copies left too. Oxymoron's Web site seems to hint that they're on hiatus, as various members have side-projects going. (http://www.oxys.de/)

Speaking of underrated bands, one drastically different than Oxymoron is Denver Co's "Planes Mistaken For Stars." They've broken up but No Idea Records just put out a 24 song retrospective called "We Ride to Fight." It includes their first record, 3 EP's, a split, and some sweet Flag covers. I already had most of these songs but I ordered it anyway and it just came in the mail. It's $7 from No Idea and it's impossible to be disappointed with. This band was really special. Just do it. (http://www.noidearecords.com/)

Out On An Island

"Shock Troops," Cock Sparrer's 1982 Oi! milestone, has always been one of my favorites. There was always one song on it though, that irked me, as it never fit in with the rest of the record. "Out On An Island", is a 4+ minute unhurried personal statement that I always saw as boring and expendable. That was until yesterday afternoon when I was listening to a punk show on URI radio, and I forced myself to listen to it. It's now one of my favorite Cock Sparrer tracks, and I don't know how I ever slept on or skipped over it. I'm into this Oi! sensitivity; where can I find more!?

"Everybody's got a number tattooed on their soul
And the time's gonna come boy, when your number's called
Everybody gets a uniform and a hut to live in
They give you your rank, you tell 'em your next of kin."

"But I'm gonna be out on an island
In the middle of the bright blue sea
Out on an island
Where nobody's gonna bother looking for me."