Iron Fist

I recently got Motorhead's 1982 album, Iron Fist. It's no Bomber, Overkill or Ace of Spades, but like the Ramones, it's all fuckin good. The title track slays and the 11 others make me want to drink heavily. Job well done, Lemmy.

IN RETURN

I've been thinking a lot about Florida's Torche lately. Since I first heard them I've been absolutely hooked and they remain one of the heaviest live bands I've ever seen.

In the Spring of 2006 I went to see Mogwai at the Starlight Ballroom in Philly and was absolutely blown away by the volume and heaviness of the opening band, Torche. I knew the name, as they had opened up for Paint It Black a couple of years prior at the Church, but I had missed them then. I know the drugs had something to do with it, but I just couldn't get over their sound that night at the Starlight. Since then I've seen them once more, opening for Isis at the TLA.

The idea of intense riffs mixed with a slight pop sound is so simple and incredible that I wonder why it wasn't capitalized on earlier. Sabbath and QotSA might have flirted with it, but Sabbath relied more on songwriting than just riffs and Torche is a HUGE riff band.

Also, check out this awesome packaging courtesy of Robotic Empire.


I recommend: "In Return" and a six-pack.

sabbathbloodysabbath

Study the cover, imagine what it sounds like. It's necessary.

Deathwish Inc.

When I starting veering from punk to hardcore in high school, Bridge 9 Records was making a name for itself with awesome records from bands like American Nightmare, Shark Attack and Carry On. Around the same time, Deathwish Inc. was putting out the more metal-inspired side of things, which I paid less attention to.

Over seven years I've watched a majority of hardcore recede from a scene of truth and individuals to a circus of flat-brimmed hats and tough guy attitudes. One of the only punk record labels that I've seen evolve and make an effort to branch out and put out new sounds is Deathwish Inc. I cannot compliment DW enough; they've released AWESOME bands like Rise & Fall, Life Long Tragedy, Pulling Teeth, Cursed, Breather Resist and Knives Out. These bands exist outside of the coffin that hardcore made for itself in this decade. They took hardcore back from the messageboards and reminded us all that no matter how dissonant, music is art. The packaging and artwork make me excited to buy music. It's no wonder it's run by a member of Converge.

I'm so fuckin thankful and stoked right now.

Ed Force One

Iron Maiden has done it. They're new 757 has been dubbed "Ed Force One." Right on, fellas! Aces high!

Hipster Metal

Yeah, that thing. The trend of the last year or so in which hip magazines and Websites cover certain heavy metal bands they deem chic and cool. Some of its first subjects were progressives like Sunn O))), Boris and Mastodon. As frustrating as it was to see a Website cover and equate Mastodon and the Hold Steady together, it was understandable because well, Mastodon's really fucking good. It makes perfect sense for someone to worship both at the alters of Mastodon and Radiohead.

In fact, the only coverage that was truly dumbfounding was that of Southern Lord and Relapse bands. There is nothing remotely accessible about Sunn O))), which is why it has always been the underground of the underground. So why the coverage? Why the mentions in Spin, Rolling Stone and Pitchfork? The hipster metal fad has always been inevitable. There' always been something bewitching (sorry) by the darkly esoteric nature of heavy metal in general. By nature, metal deals with mysterious and unnatural subjects, which are both entertaining and contemplative.

So maybe the "hipster metal" fad should be of no surprise. Even Shins fans must find metal alluring for at least a little while. Doesn't that guy from the Mountain Goats write for Decibel? Today in a write up on the new Disfear record, Pitchfork referenced Tragedy, Kylesa and Victims. They just couldn't help it, though. No one can disregard D-beat and Sabbath riffs. That's the point! The difference is that next year when we're still here, they'll have moved on to something new. Just please don't let it be disco-punk again.